no hay medio tiempo / there is no halftime
April 9 - August 13, 2017
no hay medio tiempo / there is no halftime features site-specific and cross-disciplinary works that incorporate wide-ranging references from sports field diagrams to Andean heraldic codes. The exhibition’s centerpiece, no hay medio tiempo / there is no halftime (after Glissant and Quevedo), 2017, is a polychromatic line drawing executed directly on the 2,700 square foot expanse of the Museum’s atrium. The work’s dynamic composition echoes the Museum’s immediate environment of Flushing Meadows Corona Park, where various ball games are played daily by local immigrant communities, the work is composed of fragmented diagrams of basketball, soccer, volleyball, and handball courts.
Installation view: no hay medio tiempo / there is no halftime, 2017. Photo by Hai Zhang.
Installation view: no hay medio tiempo / there is no halftime (after Glissant and Quevedo), 2017, custom printed vinyl and vinyl tape, concrete and field marker chalk, 37 x 70 ft.
Installation view: no hay medio tiempo / there is no halftime (after Glissant and Quevedo), 2017, custom printed vinyl and vinyl tape, concrete and field marker chalk, 37 x 70 ft.
Installation view: no hay medio tiempo / there is no halftime (after Glissant and Quevedo), 2017, custom printed vinyl and vinyl tape, concrete and field marker chalk, 37 x 70 ft.
Installation view: wayqe pana - brother sister, 2017, textile, 96 x 96 in (243.84 x 243.84 cm).
Detail view: wayqe pana - brother sister, 2017, textile, 96 x 96 in (243.84 x 243.84 cm).
the poet of relation, c.1958, 2017, digital print on paper, 10 x 8 in (25.4 x 20.32 cm).
The Main Event [Nomadic Structures], 2016, screen print and embossment on paper, edition of 3, 26 x 39 in (66.04 x 99.06 cm).
oro-blanco, 2017, gold leaf and wax on paper, 11 x 15 in (27.94 x 38.1 cm).
(lyra), 2017, silver leaf on dressmaker’s waxed tracing paper, 26 x 39 in (66.04 x 99.06 cm).