Ronny Quevedo (b.1981, Guayaquil, Ecuador) works in a variety of mediums including sculpture and drawing. Quevedo received his MFA from the Yale School of Art in 2013 and BFA from The Cooper Union in 2003. He has had several solo exhibitions including no hay medio tiempo / there is no halftime, Queens Museum (2017), Home Field Advantage, Casita Maria Center for Arts & Education, Bronx, New York (2015), and Ulama, Ule, Olé, Carol Jazzar Gallery, Miami (2013). He is a recipient of a Queens Museum/Jerome Foundation Fellowship for Emerging Artists and A Blade of Grass Fellowship for Socially Engaged Art. He has participated in residencies at the Triangle Arts, Socrates Sculpture Park, Lower Manhattan Cultural Council, Kala Art Institute, the Core Program at the Museum of Fine Arts, Houston, Project Row Houses, Skowhegan School of Painting & Sculpture, and Lower East Side Printshop. Currently he is artist in residence at Smack Mellon. He has been published in Hyperallergic and Art Forum.

ronny.quevedo at gmail.com

SOLO EXHIBITIONS
Pacha, Llacta, Wasichay: Indigenous Space, Modern Architecture, New Art, Whitney Museum of American Art, New York, NY
The World’s Game: Fútbol and Contemporary Art, Perez Art Museum, Miami, FL
No Longer Yours, The Mistake Room, CONDO Mexico City, Mexico
no hay medio tiempo / there is no halftime, Queens Museum, Queens, NY / 2017
Home Field Advantage, Casita Maria Center for Arts & Education, Bronx NY / 2015
Ulama, Ule, Olé, Carol Jazzar Gallery, Miami, FL / 2013

GROUP EXHIBITIONS
Under the Influence, Ralph Arnold Gallery, Chicago, IL
Selections by Larry Ossei Mensah, Elizabeth Dee Gallery, New York, NY
Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE
, Socrates Sculpture Park, Queens, NY / 2017
EAF17: Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY / 2017
Appro-propagation, Kala Art Institute Gallery, Berkeley, CA / 2016
Subduction, Upfor Gallery, Portland, OR / 2016
March Madness, Fort Gansevoort, New York, NY / 2016
Open Sessions 6, The Drawing Center, New York, NY / 2015
The Landscape Changes 30 Times, Anahita Art Gallery, Tehran, Iran / 2015
Specter Field, Lawndale Art Center, Houston, TX / 2015
Name It by Trying to Name It, The Drawing Center, New York, NY / 2015
Lineas de la Mano, Sicardi Gallery, Houston, TX / 2015
NY State of Mind, Rush Arts Gallery, New York, NY / 2015
Open Sessions: Drawings in Context / Field, Queens Museum, Queens, NY / 2015
Ecuador Meets Berlin - Mittelpunkt, Emerson Gallery, Berlin, Germany / 2014
Moving, Not Moving, The McKinney Avenue Contemporary, Dallas, TX / 2014
2014 Core Exhibition, Museum of Fine Arts, Houston, Houston, TX / 2014
Spring/Break Art Show, Old School, New York, NY / 2014
SonicWorks, Diverse Works, Houston, TX / 2014
Twelve Variations, Hatch Projects at Chicago Arts Coalition, Chicago, IL / 2013
Reading List: Artists’ Selections from the MOMA Library Collection, Museum of Modern Art, New York, NY / 2013
Exile, El Rincon Social, Houston, TX / 2013
2013 Core Exhibiton, Museum of Fine Arts Houston, Houston, TX / 2013
La Placita, Islip Art Museum, East Islip, NY / 2012
Eyes Off the Flag, Motus Fort, Tokyo, Japan / 2012
Home is Where The Bronx Is, Longwood Arts Gallery, Bronx, NY / 2012
Yale MFA Thesis, Yale School of Art, New Haven, CT / 2012
301, La Casa Cultural at Yale University, New Haven, CT / 2011
El Museo's Bienal: The (S) Files 2011, El Museo del Barrio, New York, NY / 2011
spillage: traces, evidence and presence, Carol Jazzar Gallery, Miami, FL / 2011
See What I Mean, El Taller Boricua, New York, NY / 2010
Rompe Puesto, Bronx River Art Center, Bronx, NY / 2010
Paper Scope, Lower East Side Printshop, New York, NY /2010
Dialects 1.2, Bronx River Art Center, Bronx, NY / 2009
No hay de queso, nomas de papa, Bronx Blue Bedroom Project, Bronx, NY / 2009
CUMANANA, Saltworks Gallery, Atlanta, GA / 2009
Emerge 9 Exhibition, Aljira Contemporary Art Center, Newark, NJ / 2008
How Soon Is Now?, Bronx Museum of the Arts, Bronx, NY / 2008
Everyday is Like Sunday, Longwood Arts Gallery, Bronx, NY / 2007

AWARDS
A Blade of Grass Fellowship for Socially Engaged Art / 2017
Socrates Sculpture Park Artist Fellowship / 2017
Queens Museum-Jerome Foundation Fellowship for Emerging Artists / 2016
Eliza Long Prize, Museum of Fine Arts, Houston / 2014, 2013
New American Paintings MFA Annual 99 / 2012
BRIO Award, Bronx Council on the Arts / 2011
Gloucester Landscape Painting Prize, Yale School of Art / 2011
PRINT magazine Regional Design Annual 2008 / 2008

PROGRAMS/RESIDENCIES
Smack Mellon Artist Studi Program, Brooklyn, NY 2018
Bronx Art Space Studio Residency, Bronx, NY / 2017
Socrates Sculpture Park Artist Fellowship, Queens, NY / 2017
Kala Art Institute Fellowship Program, Berkeley, CA / 2016
Lower Manhattan Cultural Council’s Workspace Program, New York, NY / 2015
NEA “Our Town” Residence at The Working Classroom, Albuquerque, NM / 2015
Open Sessions at The Drawing Center, New York, NY / 2014
Project Row Houses Artist in Residence, Houston, TX / 2013
Skowhegan School of Painting and Sculpture, Skowhegan, ME / 2013
Core Program, Museum of Fine Arts, Houston / 2012
Keyholder Residency Program, Lower East Side Printshop, New York, NY / 2010
Artist in the Market Place, Bronx Museum of the Arts / 2007
Emerge Program, Aljira Contemporary Art Center, Newark, NJ / 2007

BIBLIOGRAPHY
Seph Rodney, “Ronny Quevedo’s Field of Play” August 2017
-Louis Bury, “Ronny Quevedo’s Field of Play” July 2017
-Andy Campbell, “Critics’ Picks”, Rev. of Specter Field by Harold Mendez and Ronny Quevedo. ArtForum.com September 2015
-Marlena Fitzpatrick, “Ronny Quevedo: A Latino Transforming Museums”. LatinoRebels.com July 2015
- Andrea White, “Give them a sign”, Houston Chronicle (September 13) http://www.houstonchronicle.com/local/gray-matters/article/Signs-as-art-5751751.php?cmpid=email-premium&t=05736c5f1f7ee7ebf2#/0
- Anne Tschida, “Outside the Lines”, Miami Herald (May 24)
- Lori Salmon, Yale MFA Painting and Printmaking, (2012): 137.
- Trinidad Fombella, “The Young and the Restless”, El Museo’s Bienal The (S) Files 2011: The Street Files (2011): 15, 34, 156-157.
- Adriana Herrera, “Arte y contexto rastros y evidencias sociales”, El Nuevo Herald (April 24).
- Ra kaa Shabaka, The International Review of African- American Art, Vol. 23, No. 1: 59.